17 September 2011. – 18 March 2012.
The works exhibited show important sites of our built heritage, Calvinist, Roman Catholic, Unitarian, Greek Catholic, Orthodox, churches and bell towers from multiethnic and multidenominational Transylvania. The watercolours, pen drawings, pencil drawings, interior and exterior photographs made between 1880 and 1920 used the means of documentation and art to represent not only the sacral buildings but also the communities attached to them, as well as furnishings and objects in the churches.
June 3, 2012
Stichting Open Kerken organizes the fifth edition of the Churches Open Day.
In the inspiration guide you will find a lot of interesting ideas and a calendar to plan your visits. Participants can register until 31 January 2012 via the online registration form.
More information and inspiration guide can be found here.
Thursday 26th January 2012
10.15am – 4:30pm
Broadway House, Westminster, London
According to the Energy Networks Association, there were an estimated 100 reports of metal theft each month in 2009. Today, just two years later, there are now approximately 700 thefts per month and astonishingly 900 in the month of March alone. It is estimated that metal theft cost the UK a staggering £777m in 2010 alone. The ongoing turbulent economic climate and relentless rise in precious metal commodity prices (especially copper) has clearly contributed to the temptation to accumulate quick and easy cash by taking part in metal theft related crimes. Disturbingly, it is believed that organised crime networks are behind a significant proportion of these metal theft incidences.
Shepherd Suleyman from a village near Djakovo in Kosovo was taken away from his homeland to Istanbul to serve at the Topkapı Palace. After years of service to the Ottoman sultan, he decided to go back and build a mosque and a primary school in his hometown. Towards the end of the sixteenth century, he came back and founded a small mosque and a primary school, at a location which is the heart of Gjakovo today. The settlement grew around the mosque. A library was added to the compound in the eighteenth century, enlarging the services it offered to the citizens.
The mosque with the three bay portico was of modest proportions; yet it had a beautiful minbar and a timber gallery for women. It continued to serve as the main mosque of the town through the centuries. A garden surrounded the three sides of the mosque. Many people from the town were buried there, making it associated with the memories of the past members of the community. In the 19th century, the portico was enlarged and the decoration of the porch and the interior was renovated in the style of the time, with rich decoration using calligraphy and floral patterns.
The most attractive part of the new decoration was the landscape band at the base of the dome. Cypress trees, kula houses and mosques were included in the panorama. The contribution of several artists, artisans from different centuries made the monument a bright and multilayered assemblage. The floral and calligraphic contribution from the 19th century made the mosque an exceptional monument of graphic art.
The attacks to Ottoman monuments at the end of the 20th century damaged the Hadum Complex; the library and the primary school were totally destroyed. The minaret and the outer porch of the mosque were damaged. The timber outer porch of the mosque was set to fire; the top of the minaret collapsed. It was difficult to repair all at the same time. The financial support and knowledge in traditional crafts were lacking to accomplish a good restoration. The ruins of the library were removed; it disappeared from the scene altogether. With international aid, the primary school was reconstructed using modern materials.
The artistic qualities of the mosque attracted the attention of concerned people from the international family. Packard Foundation from USA supported the development of a restoration project. CHwB helped with the organization of the site and the implementation of the project. UNESCO contributed to the restoration of the painted decoration and the fine finishes. The unique decoration of the mosque was handled with care and conserved with good quality workmanship. Some of the underlying layers from the 16th century decoration in the portico were revealed and exposed. So the complex issue of presenting a multi-layered decoration was done in a successful way.
The return of the monument to everyday use was celebrated with great joy by the locals, the contributors to the project and people from other cities of Kosovo. The loss of a monument is like the loss of a dear friend or a close relative. The attachment of people to this monument and the meaning it had for the people from all over the Balkans as part of the cultural heritage of the area, explains the significance of this recovery. The Hadum Mosque is a work of art waiting for you, all lovers of cultural heritage, to show the creative genius of mankind finding its reflection even in a small monument.
Prof. Dr. Technical University in Istanbul
Hi, I’m Tom Whyman, the new research intern at FRH. I’m working with the council members on the Extended Use of Religious Buildings pilot project which is going to collect and present attitudes towards extended use of historic places of worship across Europe. I’m helping to develop a questionnaire to send to relevant parties about attitudes to extended use, and looking at case studies of successful examples of extended use as a way of preserving religious buildings and keeping them open for worship. Eventually, we will produce a publication to present this information in an interesting and accessible way. If anyone wants to get in touch about this project, your expertise would be appreciated!
FRH Research Intern